'Today, 25 years later, Raja Hindustani is as much a Dharmesh Darshan film as it is Aamir Khan and Karisma Kapoor's 'different' love story.'
Joginder Tuteja lists November's theatre releases so that you can plan your weekends well.
'This novel, even after 1,000 years, is still relevant.' 'The politics and psychology is still relevant.' 'It is as contemporary as you can get.'
The stars attempt dare devil stunts.
'If Michael Jackson is called the King of Pop, would he mind it? It's a great thing. I don't mind being called excellent in what I do. I don't mind being typecast. I am very good at what I do, nobody can do what I do. I am the best action hero.' There's no stopping Vidyut Jammwal.
Analysts believe the film should cross Rs 120 crore over the four-day weekend.
Before you catch a brawny Prabhas as the Prince of Ayodhya in its VFX-heavy edition, Sukanya Verma looks at the many, many on screen portrayals of Ram over the years.
If Rahul's yatra makes a political statement from the other side of the aisle and Shah Rukh's success underlines a more relaxed popular mood, Mr Modi and Mr Bhagwat's cues to their followers are coming from another place, observes Shekhar Gupta.
'Onscreen the most stylish and offscreen the most humble person I know, with qualities I always admire and aspire for. May you keep inspiring generations to come.'
'I am grateful to God that I am alive and he has made me differently-abled for a greater cause,' says Wing Commander Shantanu.
Dilip Kumar remained in demand all through his career because he kept reinventing himself in keeping with the changing times in Indian cinema, argues Mohammad Asim Siddiqui.
Deepika apparently asks for a pay cheque on par with the film's leading man.
A look at the top tweets from your favourite Bollywood celebrities.
'Why does it happen that our films don't work there, their films work here?'
'I consider everyone my competition.'
'If the appointment of Salman Khan helps promote sports in our country, then what's the harm?'
Before Kill Dil, Govinda featured in these awful movies.
Desi sightings in Western fare are no longer a rarity.
June 30, 2000: The day Refugee released.
The question 'Who was/were behind Aditha Karikalan's killing?' will continue to remain a historic mystery despite Mani Ratnam setting out to unravel it in his own way, points out N Sathiya Moorthy.
Joginder Tuteja lists some lesser known facts about this blockbuster starring Sunny Deol and Ameesha Patel.
Joginder Tuteja looks back at his movies, and their success rate.
RRR isn't the "spectacle" it is made out to be, argues Sreehari Nair.
Priyanka Chopra is set to share screen space with Pedro Pascal, Christian Slater and Boyd Holbrook in filmmaker Robert Rodriguez's Netflix feature, We Can Be Heroes.
Ishaan's fanboy moment with Madhuri... Farhan-Shibani up their fashion game... Akshay and Twinkle mourn Cleo...
'We brought melody back to Hindi cinema and our songs which came straight from the heart, be it Papa Kehte Hain, Aye Mere Humsafar, Ghazab Ka Hai Din or Akele Hain To Kya Gham Hai, resonates even today.'
The International Cricket Council on Thursday launched the official anthem of the upcoming T20 World Cup along with a campaign film featuring 'avatars' of Indian batting maestro Virat Kohli and West Indies skipper Kieron Pollard.
At the cost of disappointing Vijay fans, says Divya Nair, I can safely say that Master is watchable for Sethupathi and Das.
Salman Khan, star of this year's Eid release Bajrangi Bhaijaan, talks about his journey from supporting actor to superstar.
Everything about Radhe Shyam is such a boring waste of time that you can't decide whether to doze off or scratch your head and hope to make some sense of what the film is trying to tell you, sighs Divya Nair.
'When a common man's house is on fire, he is infused with extraordinary strength.' 'He will go to any length to save his home and family even if he is not as big and strong as Sunnyji.'
Crime, climate change and cool Oscar winners dominate the OTT menu this week.
Director Justin Lin injects his Fast and Furious vigour to the series, says Sukanya Verma.
This is the most fun Sukanya Verma has had since Wonder Woman.
One can predict the knocks and punches and dives and VFX-aided saves without as much as batting an eyelid, says Sukanya Verma.
Kuruthi is let down by poor execution -- there are too many loose ends and most of the arguments seemed too forced, like there was an urgent responsibility to balance the blame without taking sides, points out Divya Nair.
If dystopian post-apocalyptic films are your thing, swing by at your nearest cinema this weekend says Abhishek Mande Bhot.
